Bass is important. No matter if you’re a professional working at the studio, or an amateur who is trying things out at home for the first time, getting a good bass sound is essential for a good audio record. The key to achieving that is to have the right equipment, and most importantly: the right bass microphone. But there are so many out there, how can you know what is the best bass mic for you?
Don’t worry, we got your back. Our team of experts has gone through hundreds of products and has picked up the finest ones listed down below. Check out our selection of the top 15 bass mic to decide which one is best for you.
Best Bass Mic Comparison 2020
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Best Bass Mic for controlled sounds | Best Bass Mic for versatile | best for affordable |
** You will find our detailed reviews of the Best Bass Mic below, also, click these following links to view the current prices and customer comments on Amazon.
- Frequency response shaped specifically for kick drums and bass instruments
- Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even a high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Integrated flexible mount makes it even more versatile
- Bass resonance volume chamber for unique, punchy sound
- Large diaphragm dynamic microphone delivers accurate low frequencies
- Integrated hum-compensation coil keeps noise to an absolute minimum
- Industry benchmark for bass drum microphone used on stages worldwide for over 30 years
- Frequency response shaped specifically for kick drums and bass instruments
- Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum.
- Studio quality performance, even a high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise.
- Low sensitivity to varying load impedance.
- Adjustable Desktop Microphone Stand is a versatile configuration for broadcasts, podcasts, live performances; Allows you to position your microphone at the right height and distance
- Ideal for recording podcasts, video chats, radio shows, screen casts
- Height ranges from 8.66 inches to 14.17inches,withGeared lock; Keeps your microphone stable and perfectly positioned at the right height and distance
- T-handle adjustment for secure boom positioning; round boom design with large clamping area; Metal construction, sturdy and durable
- The product also comes with a non-slip microphone clip and a 3/8 to 5/8 metal adapter. Note:Maximum bearing weight: 1.1pounds
- Professional Uhf Wireless Karaoke Microphone System: The Microphone Connection Distance Is About 160feet (50m). Bluetooth 4.2 Connection Distance Is 10m. ●Signal Stability●No Delay●Anti-Howling ●Anti-Jamming ●Constant Frequency ●Clearer Sound Quality. ●Not Supported Tv And Bluetooth Speakers.●Please note: New models and old models are sold alternately. The new model cancels RCA input and output, and adds adjustable channels.
- Easy To Use: Plug And Play, No Extra Seting. The Wireless Microphone Receiver Has A Ul-Certified Plug, Has 3w Power, Very Safe, Or Use Power Bank (5v-1a) Supply Power. Each Microphone Ues 2 Aa Batteries (Not Included), Please Using Amazon Alkaline Aa Batteries For Longer Karaoke Time.Bluetooth Mode Is Passively Accepted And Cannot Actively Connect To Other Bluetooth Devices. The Channel Is Locked, Not Use More Than Two Microphone Systems In The Same Room, It Will Cause Interference.
- Wireless Microphone System With Treble/Bass/Echo : The Wireless Microphone Machine Has A Treble, Bass, Echo Control Knob, So You Can Choose Different Microphone Sound Effects According To Different Songs, You Will Look Like A Shining Star When You Singing. This Wireless Microphone System Has Bluetooth Function, You Can Use Your Phone To Connect To It Via Bluetooth( Bietrun 06) To Play Your Favorite Music. Please Not Using Rechargeable Batteries.
- Multi-Function Wireless Microphone: There Has Multiple Cables Of Different Specifications To Connect Multiple Media Devices In The Package Set.E.G: Iphone, Tv Boxes, Computers, Amplifiers, Speakers, Multi-Media Equipment, Laptop, Guitar Speaker Etc. For Karaoke, Family Parties, Singing, Youtube, Live, Tiktok, Speech Contest, Conference, Church, Wedding Host, Car Audio System, Dome Room Audio System, Etc. Please Refer To The User Manual Before Connecting The Device.
- Packing List And 1-Year Warranty: Bietrun Offers 1-Year Warranty And Free Replacement Service, If You Have Any Question, Please Contact Us Anytime. Packing List: 2*Rca Cable, 1*1/4'' Cable, 1*Ul Certification Adapter, 1* Singer, 2* Microphone, 1*Usb Cable, 2* Microphone Protector. Please Note: Please Put On The Battery Correctly. Receiver Size: 8.3 * 4.5 * 2 Inch.
- Powerful sound with profound bass range - Especially tuned for low-pitched instruments
- High-performance capsule - Withstands extreme sound pressure levels
- Built-in hum compensation coil - Rejects EMC noise for the cleanest sound
- Rugged wire-mesh cap and sturdy die-cast metal body - Withstand tough day-to-day stage use
- Integrated stand adapter - For easy mounting on mic stands
- Frequency response shaped specifically for kick drums and bass instruments
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise.
- Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum.
- Low sensitivity to varying load impedance.
- Studio quality performance, even a high sound pressure levels,you deserve it.
- Acoustic Bass Booster for incredible bass response, 30mm drivers for wide frequency response (5-22 kHz).Connectivity Technology: Wired
- In-line microphone for hands-free phone calling, Compatible with Apple or Android smartphones, Lightweight on-the-ear design
- Free SmartKey App for customized in-line remote function, Swivel design for portability, 47 1/4 in. (1.2m) tangle-free Y-type cord
- Compact shape makes for easy positioning in those tight spaces
- 16" articulating boom provides 320 degrees of easy angle adjustment
- Die-cast steel clutch provides height adjustments from 8" to 14"
- At 4.5" x 7.5", this heavy-duty "U" shaped base is small yet stable and sturdy
- Large diaphragm capsule enhances bass response
- Capable of greater than 155 dB SPL
- Integrated stand mount stabilizes high mass housing
- 10 year warranty
Top Best Bass Mic Reviews 2020
Electro-Voice RE20
- Professional quality dynamic cardioid microphone with studio condenser-like performance
- The classic sound of FM radio voices with smooth, natural, and controlled sonic character
- The Variable-D design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise
- Steel case and hum-bucking coil provide exceptional magnetic shielding and guards against line hum
- Great for podcasts, voice-over work, audiobook narration, talk shows, sports announcers, radio, broadcasting, and music production
The Electro Voice RE-20 wasn’t originally created as a bass microphone. It was actually known as a broadcast mic for radio announcers, but due to its beautiful bass tone, it has become a popular choice for bass recording. Its smooth sound and flat frequencies are what makes it able to handle vocals, guitar amps, kick drums, and other bass instruments.
This versatile microphone also comes with the “Variable D” technology, which will cancel out any proximity effect that can be annoying sometimes. You can move freely around on stage without fearing sounding off-mic. It also gives you a controlled and smooth tone, which is perfect for jazz or acoustic settings. But if you’re looking for something with a more boomy bass voice, you might find RE20 not very satisfying.
Another bonus point for me is the RE20 is pretty durable. It has been a workhorse mic in the industry for years and has recorded thousands of hits. Its look also gives me a strong vintage vibe, which I and many others are very attracted to.
If you want your kick drum sound controlled without too much bass yet still smooth and deep, this microphone is your answer.
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Sennheiser MD 421 II Cardioid Dynamic Mic
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
- Clear sound reproduction
- Easy handling due to pronounced directivity
This baby is another one that wasn’t created specifically for bass but happens to be a good one. MD 421 II can record a variety of different instruments such as piano, drum overheads, guitar, bass, and just about anything else you can come up with.
It does its work brilliantly, its large diaphragm produces sounds that are natural and powerful when it comes to recording guitar and drums. Full-bodied cardioid pattern and five-position bass control make MD 421 II an excellent choice for most instruments, vocals, and broadcasters. The design also helps to reject feedback and takes high SPLs.
But I do want to mention this baby isn’t very suitable for live performance or kick drum. It’s a bit more sensitive, thus can get a little bit more bashing than other mics.
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Heil PR40
- Generating element: Copper-wound dynamic with neodymium magnet structure
- Body: Steel body with zinc die-cast bottom ring
- Frequency response: 28Hz to 18kHz
- Impedance: 600 ohms balanced
- Output level: -53.9dB @ 1,000 Hz
Having the widest frequency range available in a dynamic microphone, The Heil PR40, or the “perfect mic for podcaster” as many knew it, is known for its deep bass response. Another versatile mic as not only it is perfect for podcasting, but it also amazing for bass and kick drums. You’d be surprised how well the PR40 handles the high SPLs that bass cabinets generate without distortion.
This mic creates a beautifully natural, deep sound due to its design that will enrich your bass tone. However, it does require a bit of effort to reach its maximum potential.
Aside from that, PR40 was solidly built and comes with a mount and hard case for added protection during transport, which I appreciate.
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Shure Beta 91A
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
- Requires no external mounting or accessories for ease of use and storage
If you’re looking for an easy and comfortable mic then this microphones is just for you.
Combining the most shining features of Shure Beta 91 and SM91, along with the unique design that doesn’t require a stand, Beta 91A is easily one of the best mics when it comes to efficiency and sound. You can just simply place it inside or outside the kick drum and walk away. But do be mindful that due to its half-cardioid design, you’ll need a drum mount to place it close to the kick drum if you don’t want it to record the whole kit.
While it requires a bit of extra help, Beta 91A’s half-cardioid polar pattern provides a strong low-end response and rejection of off-axis sound, or to put it simply, it makes your records sound crisp, clear, and powerful without a fuss. It can cancel out unwanted noises that are usually there when you use a cheaper kind. Its frequency response was designed specifically for low frequency and a wide dynamic range in high SPL.
Another bonus is the Beta 91A, like many other Shure products, is very sturdy and comes with a zipper pouch!
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Shure SM57
- Contoured frequency response is clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, precussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main source while reducing background noise
- Extremely durable under heaviest use
- Frequency response 40 to 15,000 Hz
Since 1965, the Shure SM57 has been one of the most widely used mics in history. You can see it everywhere from small clubs, studios, to stadiums and live performances. And there is a reason for its long-lasting popularity.
First of all, this mic is extremely durable. People have even tested its durability by dropping it ten times from a height of ten feet. Ten feet! And they just picked it up, plugged it on and nothing changed whatsoever.
Of course, you don’t have to drop it from the third floor to test such a claim, but such a test has proven the Shure SM57 can withstand hours of work in the studio or many rough elements of a live performance. You don’t have to worry about dropping your mic once and have to get a new mic right after.
Speaking of a mic drop, a live performance can be a big disaster because of many background noises thus creating distortions in the sound quality. Shure SM57 makes sure to get rid of that. This baby will cancel out all background noises, produce a clear and accurate sound so your live performance can live to its fullest potential.
Aside from that, Shure SM57 also has a wide frequency response, which means it can be very versatile and can handle many instruments. If you want, it can also be used for vocals too. Vocalists who want their performance raw with no turning in their voices have chosen Shure SM57 many times.
The SM57 surely is the best bass mic for someone who doesn't have more than 100$ to spend.
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Shure Beta 52A
- Frequency response shaped specifically for kick drums and bass instruments
- Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even a high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
The BETA52 is a versatile microphone that is originally designed specifically for bass instruments. Great for performance as well as studio and home, this mic can give you the punch that you need in your recordings.
Its secret comes from its extremely low-frequency response (10-20Hz) and a neodymium magnet to give you a powerful bass tone. Furthermore, it cancels out any unwanted noises with its modified supercardioid for off-axis sound resistance and advanced pneumatic shock mount system. BETA52 does have a proximity effect, which can benefit a kick drum but does require more effort for other low-end instruments like bass guitars.
Like many other Shure products, BETA52 also has outstanding durability. It was built all-metal and has a steel mesh grille that can withstand many abuses. You won't have to worry about breaking it anytime soon.
Another bonus point is BETA52 comes with an integrated stand mount that includes a thumbscrew for quick adjustments. You can fit into whatever space you want it to, and rotate it within a 180-degree rotation. Even strong vibrations and blows cannot tip it over and slip as the stand adapter keeps the mic position well fixed and resists slipping.
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AKG D112 MKII (4.6 stars, 61 rates, 174.99$)
- Integrated flexible mount, makes it even more versatile
- Bass resounance volume chamber for unique, punchy sound
- Large diaphragm dynamic microphone, delivers accurate low frequencies
- Integrated hum-compensation coil, keeps noise to an absolute minimum
- Industry benchmark for bass drum microphone, used on stages worldwide for over 30 years
You might know the D112 as the “egg mic” due to its special and unique shape. Aside from that, it is also famous for its ability to pick up the bass tone exceptionally well, and it's amazing when it comes to bass drum and acoustic/electric bass.
Its large diaphragm is the reason why it can easily pick up the lower sounds. This mic also has a boost in the frequency that will guarantee to make your bass guitar stand out. It originally was designed for drummers back in the heavy-footed days, so there is no doubt about its durability.
But D112 MKII uniqueness comes from its in-built windscreen inside the capsule to protect against popping and the humming noises sometimes appear in lower frequency recordings.
If you are looking for a bass mic for under 200$, you can't go wrong with the D112 MKII.
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Audix D6
- Provides huge kick drum sound. Ground shaking low end combined with exceptional clarity and attack.
- Type: Dynamic
- Polar Pattern: Cardioid
- Frequency Response: 40Hz - 18kHz, Impedance: 280 ohms ohms , Sensitivity: 1.4 mV/Pa at 1k
The Audix D6 is a bassy mic that is designed specifically to miking instruments with extended low frequencies such as kick drums, bass cabinets, toms, and large percussion. Some may even argue it’s the best bass mic for a drummer.
Due to its special VLM (very low mass) diaphragm built into it, it can handle the low frequency exceptionally well, thus creating a natural, accurate sound reproduction with a punchier and sharper attack
But this feature also brings the Audix D6 many mixed reviews due to the unique sound it made. This sound comes from the ultra-light diaphragm combined with a specific series of frequency boosts. Some love it and consider it as a boost for their bass tone, others prefer the alternatives. Regardless of the opinion, many agree that the Audix D6 can handle instruments requiring extended low frequency exceptionally well.
It is also pretty lightweight, and easy to position. The mic is omnidirectional, which means no matter where you place it the sound will stay the same. This can be very useful for many beginners by saving them a lot of time in setting up the miking process.
If you’re some drummer that is looking for an ideal kick drum mic or something to make your bass truly stand out, I highly recommend the Audix D6.
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Sennheiser e602 II
- Large diaphragm capsule enhances bass response
- Capable of greater than 155 dB SPL
- Integrated stand mount stabilizes high mass housing
- 10 year warranty
If you’re looking for a solid kick punch in your next bass recording, the Sennheiser e602 II microphone is one of the best choices for you. With a broad frequency response from 20 Hz to 16 kHz, this microphone is designed especially to easily handle bass cabs, low brass, and other low-pitched sound sources. Even the most difficult bass signals that cause you many troubles can be solved with this baby.
Sennheiser e602 II comes with a large-diaphragm capsule to further enhance the bass response. Not only that, but it also cancels out any unwanted noises in the background. Using Sennheiser e602 II to record will help your records stay beautifully clear from any distortions while keeping all the punches in the bassy tone that you’ve worked so hard for.
Another worth mentioning feature is that the Sennheiser e602 II has something called “frequency-independent directivity“, which basically means that you can position it however you like without fearing that your recording is going to sound completely different afterward.
Aside from that, it’s also very durable, lightweight, and very well balanced. You can easily set it up without fearing your stand is gonna fall over. This is a huge bonus point for people who are trying to figure things out for the first time and haven’t had many experiences in setting up their mic yet.
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Audix D4 Microphone
- Wide spectrum sound with extended bass response
- Ideally suited for floor toms, djembe, baritone sax, Leslie low
- Vlm (very low mass) diaphragm provides excellent transient response
- Handles extremely high spls without distortion
- Designed, machined, assembled and tested by Audix in the USA
Next up in our list, we have a unique one. The Audix D4 is the smallest bass mic I’ve ever seen. But it wasn’t a drawback for me, as I find it easier to handle and position. This baby can fit anywhere you wish it to be.
And small in size doesn’t mean it is also bad in quality. It can handle extremely high SPL’s without distortion, plus a wide spectrum of sounds with extended bass response. Another good point is its VLM diaphragm and tight off-axis rejection when combined with other features will produce amazing natural and accurate sound.
Audix D4 has a wide frequency response and can go as low as 63 Hz. This means it is a good mic for miking large rack toms, Cajon, acoustic bass, bass cabinets, and small kick drums among other instruments that need an extended low end. If you want to try out new things, definitely try this one.
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Electro-Voice ND68 Dynamic Supercardioid
- A high-performance, large-diaphragm dynamic supercardioid kick drum and low-frequency instrument mic
- The supercardioid polar pattern provides excellent acoustic isolation from nearby instruments
- The voicing deliver a deep low end, relaxed midrange, and high-frequency content for aggressive top-end punctuation
- Manages close miking of high SPL transients and RMS wave fronts up to 144 dB SPL
- The included humbucking coil guards against line hum for confident use near speaker cabinets and generators of EMF
One of the best features of the ND68 model is its ability to block out noises from other instruments. Its excellent acoustic isolation is due to its supercardioid polar pattern. The ND68 delivers a deep low end, relaxed midrange, and powerful top-end punctuation.
It also has a durable, tight-mesh grille to help it withstand some extremely rough treatment. You can place it near your speaker and EMF-generating equipment racks without fearing that you will break it.
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Shure PGA52-LC
- Tailored microphone cartridge design specifically for low frequency clarity
- Swivel joint with quick release latch with a design similar to bicycle component-locking technology for extremely quick and easy positioning
- Cardioid polar pattern picks up audio from the source while rejecting unwanted noise
- Updated industrial design with black metallic finish and grille for unobtrusive visual presence
- Two available options: (1) with 15-foot XLR-XLR cable, or (2) without cable
Next up on the list is another one from Shure. I know, I know. Shure again? But seriously though, you cannot deny that they make good mics. Very high quality and durable, which is also the case with the PGA52 - LC model. This mic is easy to set up, stay where you want it to be, and features a special swivel joint with a quick-release latch for extremely quick and easy positioning. Afraid of fumbling with your mic no more with the PGA52 - LC.
In terms of performing, Shure PGA52 - LC does have a proximity effect which makes it perfect for kick drum. Its cardioid pattern also cancels out all unwanted noise that can be surrounding you and your instruments, resulting in a clear and intense sound recording.
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MXL A-55 Kicker Dynamic Microphone
- Dynamic drum mic that's great for low-frequency instruments
- Perfect for kick drums, floor toms, bass cabinets and tubas
- Durable metal construction that can take heavy-duty use
- Robust low-end sound that has plenty of punch
- Excellent sound that's great for all styles of music
The MXL A-55 is designed especially for bass instruments, which should come with no surprise that it can handle low-frequency sounds from instruments with great accuracy in a rich, deep, and natural sound. It can capture some pretty sick low kick sound that will make a punch in your recording. The cardioid pickup pattern and the diaphragm of A-55 will minimize any unwanted sounds. Perfect for kick drums, floor toms, bass cabinets, and tubas.
If you’re looking for a snappy, quick response that packs a punch then definitely try this one out.
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AKG Pro Audio P2
- Powerful sound with profound bass range - Especially tuned for low-pitched instruments
- High-performance capsule - Withstands extreme sound pressure levels
- Built-in hum compensation coil - Rejects EMC noise for the cleanest sound
- Rugged wire-mesh cap and sturdy die-cast metal body - Withstand tough day-to-day stage use
- Integrated stand adapter - For easy mounting on mic stands
If you’re looking for something that can withstand on-the-road travel, then the Pro Audio P2 is the answer for you. Its wire-mesh cap and sturdy die-cast metal body can guarantee it to stage use for days. Other than its toughness, Pro Audio P2 also comes with an integrated stand adapter, which means you can set it up pretty easily without a fuss, bonus a carrying case for safe transport and storage.
The Pro Audio P2 has a cardioid polar pattern designed to reduce other noises from the instruments behind the microphone. This together with its capsule makes it able to handle all the different bass frequencies and SPLs, producing a powerful kick to your recordings.
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Heimu Bass Drum Microphone
- Frequency response shaped specifically for kick drums and bass instruments
- Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum.
- Studio quality performance, even a high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise.
- Low sensitivity to varying load impedance.
Well, if you’re a beginner and don’t have much money to spend, then you can try this mic. Despite its really low price, it surprisingly has many good reviews for its ability to capture bass frequency. Designed with a frequency response tailored for kick drums and bass instruments, with a built-in dynamic locking stand adapter which will make it easier to set up, it can be a good choice for beginners to try things out.
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Key Factors To Choosing The Best Bass Mic For You
Still can’t decide what is best for you? Worry not. Let’s take a closer look at what you might consider before buying a bass mic from the guides below. We hope this will clear up your questions and not waste your money on the wrong mic.
Durability
If you’re someone who does live performance or travel on road a lot, then the durability of the mic is extremely important. You don’t want your mic to break down in the middle of a concert or have it damaged on the road without a backup plan. Also, you can’t get a lit mic drop if your mic is gonna break right afterward. Can’t have that now, can we?
Dynamic microphones are stronger than other types of microphones and can handle louder instruments like drums without breaking down. They were designed with stronger diaphragms and stronger features overall, so they can easily withstand rough works. Plus, they’re cheaper than a lot of ribbon mics. And they can survive the mic drop, which is a great reason to get them on stage.
Home recording or studio might not require a heavy sturdy mic, but still, it’s nice to have a long-lasting and durable mic.
Sound Pressure Level (SPL)
Another important point to consider before you spend your money on any mic is the Sound Pressure Level (SPL). It tells you how high the volume can go up before the mic begins to crack and break. It’s measured by dB, and to handle the volume of an amplified bass guitar, it should have high maximum SPL’s of at least 130dB. The lower your mic’s SPL goes, the higher the chance it's gonna get distorted.
Condenser microphones can be distorted easier than dynamic microphones, which only start to distort when they are physically overloaded.
Frequency Response
The most essential specification to be considerate wisely: The frequency response. It is measured by Hertz (Hz). It shows the range of frequencies that the mic is capable of capturing and processing. For bass guitar sounds, the mic must have a lower frequency response range. For a kick drum, it would be for the best that you get a microphone that is designed especially for the bass drum.
A quick tip to remember which one to pick is that high-frequency instruments such as acoustic guitar, cymbals, piano,... work better with condenser mics, while low-mid frequency ones like drums work better with dynamic mics.
Why is recording bass different?
Recording bass is different from normal or vocal recording because bass has a much deeper, lower sound, which is quite hard for normal mics to pick on accurately. A good mic for solo might be a terrible mic for bass. This is why bass has specific mics rather than using the same mic as normal recording.
Do I really need a bass microphone?
You can certainly record bass raw, but it won’t be as good as having a bass mic. The D.I is great, but it can’t help you with replicating the sound you love or effects as well as a microphone. With the right mic and the right setting, you can capture the best sound from your bass, which is a fuller, richer, more accurate sound.
But don’t hope that having a good mic can solve all of your problems. If your amp has troubles like static, humming, crackling,...chances are your mic gonna pick some of it up.
Can I Use It For Vocals?
To the versatile ones, then yes. You can certainly use it for vocals. Some of the mics we have selected in the list above are great for vocals too. Just make sure that the one you pick has a wide range of frequency response and SPL. But if you’re planning to use a mic aside from the purpose of recording bass, then you should avoid the bass/kick drum specifically designed mic for the best.
What’s the difference between live and recording?
Well, if you’re planning to use a mic for live performance then the most important thing to consider is the mic’s durability. Studio or home recording is less rough on the mic than live performance (vibrations, background noises, mic drop, etc…). And thus, you really don’t want your mic to break down while you’re using it live.
How To Set Up My Mic?
You can watch this video and figure out more things. But basically, you need to remember that the closer you place your mic to the sound source, the higher the bass response gonna be. The proximity effect could play a part, and you could try placing your mic at different angles, different distances to play around with the sound.
6-12 inches should be fine if you are just starting to try things out, cause further than that might give you some bleed issues. Aiming your mic directly at the cone’s center will likely give you a punchier and brighter sound while moving it to the edge can give you a dark and smooth tone. If your bass seems overpowering, try to move it a little bit further.
Conclude: Our Top 5 Winners Of The Best Bass Mic
Best Bass Mic for controlled sounds.
- Professional quality dynamic cardioid microphone with studio condenser-like performance
- The classic sound of FM radio voices with smooth, natural, and controlled sonic character
- The Variable-D design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise
- Steel case and hum-bucking coil provide exceptional magnetic shielding and guards against line hum
- Great for podcasts, voice-over work, audiobook narration, talk shows, sports announcers, radio, broadcasting, and music production
Best Bass Mic for versatile
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
- Clear sound reproduction
- Easy handling due to pronounced directivity
Best Bass Mic for affordable
- Contoured frequency response is clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, precussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main source while reducing background noise
- Extremely durable under heaviest use
- Frequency response 40 to 15,000 Hz
The Electro-Voice RE20 is the best bass mic for many people because of its versatility. As mentioned, The Electro Voice RE-20 wasn’t originally created as a bass microphone, but its beautiful bass tone has turned it into a popular choice for bass recording. It can handle vocals, guitar amps, kick drums, and other bass instruments.
It also has the technology to cancel out any unwanted proximity effect and background noises while still maintaining that beautiful rich bass tone. It gives the controlled bass that not many mics have. If you are a beginner, it can help you get used to the bass tone. If you’re a professional, it will make your job much easier.
When it comes to durability, the RE20 is also a tough one too. You can use it for many things, and for many years without constantly fearing it gonna break with just a drop.
If you’re serious about making music, then having a good bass mic is crucial. We hope our list can help you.
